by Tonio » Mon Sep 08, 2003 5:44 pm
kmmurrdog,
SM57 is the defacto industry mic for not falling apart. You can hammer a nail with it.
I find it odd that they would give you that vibration. Have you tried putting some tape or something in there too isolate the vibration?
SM57 are known for congas and percussion for live. Alot of studios use them for recording too but IMO there are so much better alternatives.
I have used: 421(Sennheiser)they are known to be good for congas-especially segun and tumba, 408(Electro Voice) give good nuances-new model is 468? D2,D3 (Audix) these are kinda like the EV's(sound wise).
Try Sennheiser e604, you can beat it with a stick without breaking, and they sound great!!
Those are dynamic mics, that are most used for live (cheap, indestructible, sound good), but you can also try condensors too. They are used more in the studio because they capture more across the frequency, and is said to capture more transients. They are more expensive and are more fragile.
Mainly they come in 2 catagories: LD large diaghram and SD small diaghram. SD gives you more flat & accurate translation
with the possibilty of more noise and less volume.
LD gives you more flattery and volume level, but not as accurate.
I have used the mic claws too, and found they do vibrate somewhat, especially on the quinto if you play with it tilted. If you can , a stand would be much better.
Tony
Edited By Tonio on Sep. 08 2003 at 18:46