by Simon B » Tue Jun 10, 2003 11:31 pm
I have recently been doing the same thing. Remember that house music is pretty fast, so you will need patterns that you are confident with at speed, and which you feel you can play for extended periods of time. Guaganco variations are useful to adapt, although I lessen some of the slaps, muffles, and bass notes because I feel that these can interfere with the rhythm (a somewhat simplistic one) of house music. Indeed the club audience, many of whom are not particularly attuned to more sophisticated rhythms, respond well to 'disco' tumbous with regular tumba notes, e.g:
h-t-s-t-h-t-oo-h-t-00-h-t-oo
OO - tumba open
00 - quinto open
h-t - heel-toe (left)
s - slap
Leave out some of the heel-toe strokes if you need to (e.g just a heel to start the rhythm instead of heel-toe).
I do lots of regular rhythms like this, unfortunately I can't easily notate them because the strokes vary in tempo (e.g. from eighth note to sixteenth) which is why they are effective at speed. Mozambique variations can be good. Samba patterns too. Two important percussionists to listen to for ideas for such patterns are Paulinho de Costa and Ralph MacDonald. And our own Johnny Conga has a lot of experience in these styles - ask him!
Simon B