by Conuno » Thu Mar 11, 2004 7:59 pm
Hi Percomat,
Put attention what I say: The RIGHT WAY to play the Tres-Dos in a guaguanco for 3x2 clave, is putting the two open hits in the side 2 of the clave,i.e the second bar.
However, we can NOT say that someone plays wrong if he plays the two open hits in the side 3 of the clave ! .... Even better the question is : Does he know what he is doing ?
If he doesn't know ...then he is playing wrong !!!
And the reason is more hystorical than musical. If you listen the recordings of the 70's, 80's and even in the 90's, you will find that many conga player (very famous players), mainly from New York and Puerto Rico, played... lets say... "crossed".
Only until (around) the beginning of 90's , those percussionists begun to play in the right way.....thus, the question is: why did they change ???
How did they discover that the conga pattern was crossed, can be explained due to the cultural (musical) interchanges that occurred at the end of the 80's. For example, remember that Batacumbele and other Groups were in Cuba for that time.
The thing is, even those recordings have the conga pattern crossed, the music and the arrangement sound quite good, therefore musically is acceptable !
Regards Conuno
Edited By Conuno on 1079035268