Simon B wrote:This and a post on double strokes are based on my conversations with a Cuban congero from Havana whom I met, jammed with, and received advice from today. I just want to run some of his methods past people on the forum and see to what extent they correspond with their own. I found them fairly convincing and am going to focus on them in my playing.
I asked him to watch me play and evaluate my style. I played a couple of simple patterns and then trotted out some rudiments. He said the only thing I might want to consider was my elbow position. I have been playing with my elbows each two or three inches away from my body in that pronounced V-shape that I think you see quite a few players adopt. He said it was his belief that the most relaxed and efficient position comes from elbows resting against the sides of the chest, as though one were sitting at a drum set. After practice tonight like this - everything feeling more organic - I am inclined to agree with him and am going to take this up.
What do you think?
Simon B
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