by jorge » Fri Sep 28, 2007 5:04 am
How you tune the quinto depends on a lot of factors, including personal taste, type of music, acoustics of the venue, or other instruments playing. In rumbas, sometimes we tune the quinto above its "sweet spot" and get a dry tone that is shorter (less sustain) but cuts just as well through the other sounds. This sounds good in a room with lots of natural reverb, you don't get the drum's sustain competing with the reverb from the walls. A quinto with a longer sustained sound, like when it is tuned to its "sweet spot", sounds better outdoors, but doesn't feel as "fast" when you play it, and sometimes does not sound as good indoors in a club or dance studio.
Sometimes in a rumba it sounds better to tune the quinto low, just a step or two above the middle drum. This can sound nice in a slow guaguanco or yambu, where it lets you really play with the rhythmic patterns formed with the other 2 drums. If the quinto is tuned closer to the other drums, it is easier to make them all sound like one unified voice rather than a quinto soloing over other drums. In a rumba, the relative tuning of the drums is more important than the actual notes. Playing with a band with bass and piano, tuning the drums to harmonize with some of the most frequent chords can really sound nice. This is all part of the art of playing congas. Experiment, listen to the old (and young) masters, experiment some more, and decide what you like best.