by 109-1176549166 » Tue Aug 21, 2007 3:11 am
I, too, keep configuring and re-configuring.
In the beginning I had (from left to right): conga (tuned to B), quinto (tuned to middle C) and tumba (tuned to G below) quite similar to Luis Conte's physical setup (not necessarily the tuning).
Next, I switched to: quinto (F above middle C), conga (middle C) & tumba (G below) after watching and listening to percussionist Sue Hadjopoulos of the "Joe Jackson Band" on VH1. Actually, Sue only used a 2-drum setup during the live gig that I watched.
After watching Changuito's DVD, for a while I was happy with just a 2-drum setup: conga (middle C) and tumba (G), which he called "macho" and "hembra", respectively. And if ever there was to be a 3rd drum, he taught that it has to be another conga, not a quinto. He called this 2nd conga appropriately as a "segunda" (tuned lower than the "macho" but higher than the "hembra"). The "segunda" had to be to the left of the "macho", for right-handed players. Changuito taught that the quinto (D to F above middle C) was to be used only for soloing as in rumba playing.
Then, I was back to: quinto (middle C), conga (B below) and tumba (G below). However, the setup this time was somewhat based on Poncho Sanchez' setup of: conga, segunda conga & tumba.
Most recently, after watching Glenn Caruba's DVD on "The Contemporary Percussionist", which I mostly am, it has become: conga (A below), quinto (D above middle C) & tumba (G). I like this setup and tuning the best. I like the conga being a 4th below the quinto and the tumba being a 5th below the quinto. This has produced the best melodic and jazzy or pop sound combination I've ever heard yet from my set.
Edited By mjtuazon on 1187731509