Patterns used in P-Rican Bomba genre
Posted: Fri Feb 01, 2013 8:52 pmedit
Shor, thanks for the contribution!!!
Do you have the corresponding cuá & maraca patterns for this Seises de Bomba?
Saludos,
JG
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Patterns used in P-Rican Bomba genre
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Posted: Fri Feb 01, 2013 8:52 pmRe: Patterns used in P-Rican Bomba genre
Posted: Sat Feb 02, 2013 5:39 pmRe: Patterns used in P-Rican Bomba genre
Posted: Tue Feb 05, 2013 4:46 pmthx Shor
I am not sure at all about these patterns as to the rhythms they fit with, however in my "striving for intermediate status" I see these patterns as a great exercise. First with right hand lead and then with left hand lead.
...marcus
I am not sure at all about these patterns as to the rhythms they fit with, however in my "striving for intermediate status" I see these patterns as a great exercise. First with right hand lead and then with left hand lead.
...marcus
Re: Patterns used in P-Rican Bomba genre
Posted: Fri Feb 08, 2013 10:32 pmedit
Re: Patterns used in P-Rican Bomba genre
Posted: Sat Feb 09, 2013 6:55 pmMuchas gracias Shor, muy valiosa tu aportación.
Saludos,
JG
Saludos,
JG
Re: Patterns used in P-Rican Bomba genre
Posted: Mon Feb 11, 2013 3:20 pmRe: Patterns used in P-Rican Bomba genre
Posted: Sat Feb 23, 2013 6:48 amThanks for sharing…
I recognize the pattern notations from Michael De Miranda online.
Michael De Miranda’s videos are a great source for beginners.
However De Miranda’s videos and notes on Bomba put slaps in Bomba where they are nonexistent. There are no slaps in Sica, Cunya, Cuembe/Guembe, Belen, Balance, or Lero del Sur but either rim hits or center bass hits. Also there is only one slap in Seis Corrido on the left hand (if you’re a righty). His videos are a good start as his background and notations for the rhthyms are largely if not entirely based on Salvador Ferrera’s thesis which is also available online.
I recognize the pattern notations from Michael De Miranda online.
Michael De Miranda’s videos are a great source for beginners.
However De Miranda’s videos and notes on Bomba put slaps in Bomba where they are nonexistent. There are no slaps in Sica, Cunya, Cuembe/Guembe, Belen, Balance, or Lero del Sur but either rim hits or center bass hits. Also there is only one slap in Seis Corrido on the left hand (if you’re a righty). His videos are a good start as his background and notations for the rhthyms are largely if not entirely based on Salvador Ferrera’s thesis which is also available online.