Mario2CP wrote:I think overtones dont bother me much in this type of situation.
Mario
Mario,
Overtones were a big deal for me in the beginning, but I realized that they really weren't an issue, particularly when I'm playing with a band the instruments of which are amplified (possibly including yours). I can almost guarantee you that no one in your audience will hear it (or care) and only you will (if at all). Moreover, your bandmates will most probably be too busy minding their own playing to pay attention to your overtones.
In the above scenario, I prefer to use my oak Gon Bops CAs with Remo Fiberskyn synthetic heads.
Playing with a band/group that's unplugged or acoustic is a different scenario, though. In this situation, I prefer playing with my canoe Islas with real skin heads and their fat, dry sound.
I personally haven't played the Pearl Elite fiberglass congas. So, I don't feel qualified to give an opinion on their sound. I like the fact that they're 30 inches tall (vs. 28-inch height of certain other models, such as the Pearl Bobby Allende, which were designed with the seated player in mind). I also like Pearl's brushed-look steel hardware; they look understated.
Regardless, I have no objections against fiberglass congas in general. Even some of the legendary conga players (Candido Romero, Patato Valdez, etc.) have used them. Other professionals, not quite legendary, such as Raul Rekow of "Santana", have used (and continue to use) fiberglass congas.