mjtuazon wrote:Ralph,
Thanks for your response.
I mostly agree with you re: the "Junior", except for the mahogany wood.
Even the owner of Isla Percussion himself, Mario Punchard, has nothing but the highest respect for Senor Natalio "Junior" Tirado Ruiz and considers his drums as still the current benchmark for making the best drums. Junior wasn't only a master craftsman; he was also an excellent conguero. That unbeatable combination enabled Junior to make drums with sounds that many discriminating congueros wanted to hear from their drums.
Unfortunately for the rest of us, Junior has already left this world. So, no new "Juniors" are being made anymore and they've become even more as collector pieces. Consequently, too, "Juniors" can probably no longer be made to sound even better.
There appears to be a growing consensus that the new keepers of the flame include names such as: Matthew Smith, maker of "Ritmo" drums, Mario Punchard, maker of "Isla" drums and Juan Cali Rivera, maker of "JCR" drums, to name 3. Did I overlook anyone?
I, myself, own a set of 3 "Isla" tumbadoras (quinto, conga and tumba) and I'm extremely happy with them . Like Junior, Mario (and his crew) is not only generally reputed as an excellent craftsman but also as an accomplished rumbero. In the quest for making the ultimate-sounding drums, this combination, as I've said earlier, is simply hard to equal, more so beat.
Due to my insufficient knowledge and expertise, I don't presume to categorically claim, yet, that "Isla" drums are definitely THE best, although my good friend and brother, Yambu321 (Charlie), who's owned other drums and has decades of rumba-playing experience behind him, among others swears by them.
To the best of my knowledge, Mario himself, in all modest honesty, claims that if his drums aren't up there yet with the "Juniors", they're very close. Personally, at the rate that Mario is turning out his drums and considering his ongoing research and development related to the evolution of his "Isla" drums, I'm confident in speculating that in a relatively short time, Isla drums will equal and may even eventually surpass "Juniors" in terms of sound, which is really the bottom line of any instrument.
I don't know the current market values of "Juniors" and I have a pretty good picture of how much both "Ritmo" and "JCR" are currently selling. But, I do know that "Islas", ranging in price from only $350 for a 9-inch canoe reguinto (or an onkolo bata) to $900 for a 15-inch cherry supertumba are probably the best priced top-of-the-line, boutique congas out there. Many "Islas" even match or beat the price of top-of-the-line, mass-produced congas.
As to the ONE best maker of congas, my personal position is that there isn't one best maker of congas. There are several. The quality of sound even the most discriminating conga player and/or owner deems the best, IMO, depends on more than just one factor. There are several. For example, it depends on what specific Latin musical genre one wants to hear and/or play.
Therefore, judging which make of congas is the one best, among several makes of congas already rated as best, is, IMO, simply a hairsplitting exercise and boils down ultimately to one's personal need(s) and preference(s).
folkloricoSD wrote:Well guys I am now oficially an Isla drum owner :p I picked up my drums yesterday afternoon at Mario's shop in LA... Mario's shop is like walking into conga heaven!!!! As soon as he showed me my set, all I could do was laugh!!! They are so beautiful... he cranked the quinto up for me, and as soon as I hit an open tone I almost fell over hahaha!!! The quinto CUTS.... After taking a tour of the shop, and taking some pictures, I took off back to San Diego to beat the traffic... When I got home, I cranked them up for a session. Now this is the great part... It was kind of hard for me to find the "sweet spot" of the drum while tunning, because it sounded good no matter where I tuned it to!!! Mario said this is because of the wood he uses, it makes the drums sound sweet at almost all different tunnings!!! They don't go dead like other drums do if you tune them lower, and they don't ring if you tune them higher!! This means that if you wanted to, you could tune your quinto like a conga, your conga like a tumba, and your tumba like a super tumba, and they would all still sound perfect... After finding the tunning that I liked, I started practicing. Man these drums sound SWEET!!! I havn't even fully broken them in yet, and they already sound incredible... The tones are beautiful on every drum. I would go on telling you more, but I am going to go play some more right now hahahaI will be posting the pics soon. Some of my drums, and some of Mario's shop.
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