by Firebrand » Thu Apr 28, 2005 2:13 pm
I would second what was said before...
Fiberglass are louder and cut through better...you really can hear the "baqueteo" (the slight hits you use to "fill in" the tumbao patterns, by flexing the wrist/hand, up and down) on a Fiberglass...
Wood are better to get that folkloric sound, and to play in really small venues.
Honestly, though, I use Fiberglass most of the time, even in small settings...it just forces me to play softer, which is something that a lot of percussionists ignore...DYNAMICS.
I used to be the Billy Cobham type on drums, and my dad would always tell me to "chill"...to calm down on drums and congas. So, I started taking that seriously...but it wasn't until I met this drummer, who used to play with DLG, where I really learned that lesson. No matter what we would play (soft cha cha cha sections, cascara sections, etc.), he'd always have a very "Timba" pattern...very busy...a lot of loud clanking on the bells and woodblocks. And whenever we'd go into "descarga" or mambo sections, the guy would go into these very anticipated breaks and "explosions" on his drums/timbales...and then settle on a very busy...very bass-drum "pumped" Songo/Timba mix of a rhythm. It was heavy machinery ALL THE WAY THROUGH...
Everyone in the band was giving him the "calm down" eye...to the point where he even said, "oh...am I playing to loud"? At the gig...it was even worse...his friend and him, who played together, turned every single tune we did into a remake of some Charanga Habanera/Bamboleo type of Timba song...no matter what type of setting we wanted to have per song...every song would end in a Timba dance rhythm.....made me hate Timba for weeks after that...(and I love to hear it). I learned a valuable lesson in "staying in the groove" and "dynamics" that day...I saw what I COULD have been in that drummer...who was awesome technically, but needed some real gigging experience in smaller settings. It's obvious the guy had only played with loud, unstructured salsa bands all his life...he would never survive in a studio or with a band that just wanted "the groove".
So...back to the thread's topic...if you're gonna buy one set only, go with a Wood Conga...they are the most versatile...but if you know you're gonna be playing in dance halls or festivals a lot, with loud bands, consider an LP Fiberglass conga set (Galaxy or Patato...it don't matter...they are all based on the Patato prototype).