by Isaac » Sun Apr 22, 2007 4:17 am
Grateful,
I hope you don't think of me as condescending, I want to guide you.
Ultimately it's your decision on what to buy.
You should take note of what people are saying here...
Some of the guys here have 30+ years of playing experience on congas.
I've seen too many new conga buyers end up with the wrong size. Here's one example:
A pro drummer friend of mine from NY , was asked to play percussion on a tour with the late
Laura Branigan. He called to ask what he should buy. I recommended a wood
Conga & Tumba. He could only afford one, so I suggested get the conga first, perhaps 2nd hand.
Well, to make a long story short, the slick sales guy sold him a nice high end LP fiberglass
quinto with some great graphics on them, and a stand!
After the tour we spoke on the phone and he said the sound wasn't right at all, and he wanted to sell it.
Why did you get that one after all our conversation? I asked.
Here is what his reasoning was:
" I wanted to have a tight high pitch so I could "CUT" over the drummer and be heard
loud & clear in the song." Well it turned out to be a disaster for the tunes in question.
He needed to think, as all instrumentalists must do, about how to blend.
The true sizes of congas have been worked out over a long period of time to do
just that - blend with music.
The Conga sounds that are essential are the 12.5" tumba and an
11.75" conga. (slightly smaller if you have vintage Gon Bops)
If you're looking at small sizes, you will eventually
realize that you need bigger and lower projecting tones than they can provide.
It's not the sound you alone hear that must be taken into account, but the vibrations
they carry to the back of the room.
The stand is not essential - nice to have, but not required,
so don't let a store sales guy sway you with accessories. Avoid combo deals
with wrong heights and head sizes, unless they're for a kid just starting.
It' s like going shopping for a upright string bass and coming home with a Cello
instead because the price was right and they have the same shape as a bass.
I'm exxagarating of course, but my point is learn the right tones and sound
that congas should have. Listen to some recordings of Mongo Santamaria, Ray Barretto,
or even some recent work by Francisco Aguabella. Maybe not your cup of tea (yet),
but listen to the range of tones they achieve with their impeccable technique.
Congas should be anchored within the center of the music, not merely playing
around, over and above the music. Think of the congas as having more in
common with the three foundational drums of the Djembe ensemble -
The Dounoum (or Djunjun), Sangban and Kenkeni vs. the djembe itself
which has a higher pitched role. Once you "get" the foundation you'll
have a better point of departure from which to take solo excursions.
Your band will also appreciate you more.
My 2 Cents,
Isaac
Percussionist / Sales JCR Percussion Co.