by Isaac » Fri Jun 19, 2009 7:25 pm
Aha...If it's technique or lack thereof, your friend is trying
to protect his wrists from injury ...and this will only allow
him more time to continue bad habits.
Here's my take on this and you'll likely get a similar view
from Matthew Smith, Jay Bereck or Caly Rivera -
If you hold up your arm, and look at your wrist, from the thumb area
and down several inches, we have a very vulnerable area
that can be at risk - from an accidental slap or improper technique.
Even some with well practiced technique can have an accident
in the heat of the moment making music.
There are a few famous Congueros who've had wrist surgery.
The reasoning in keeping a rim higher, more level with the thumb,
is that this places the rim well above the vulnerable area. You can even
rest you stronger "heel area" on the rim without causing any nerve damage.
Some call this an "anchor" position.
Should you have the same accident there would be less injury.
A second factor is that the less hide wrapping around down the conga's rim & body, the less
you are dampening the vibrations of the skin.
I suspect that's what the Toca people where aiming at erroneously, when
they came up with the overly wide "extended collar" crowns. LP and Meinl
have them also, but less exxagerated. They pull the skin outward at an angle
vs strait down. They got it half right at least. What all of them failed to
take into consideration, is that the wider emptier hollow area under the crown
becomes a tinny echo chamber adding those overtones many here don't appreciate.
If you follow the traditions of the original Vergara as Dario (Omelenko) has often
posted here , you'll be following the true sound a conga should have. A water buffalo
does not, I repeat, does not have the correct sound for a conga. If someone thinks it
does, than they have not listened enough to the real thing, and need to go back
to the earlier records.
The Vergara is still the role model of our best conga craftsmen.
We can't all have access to or afford a handmade conga, and they may be overkill
for your level of musical activity or wallets, but a good cow, steer or mule skin,
as the old Vergaras had is within our reach, and will improve any
fiberglass or mass produced conga.
Sakuntu, keep up the good work! and encourage your friend to revisit his
technique.
ISAAC