Wondering if anyone has ever attempted building a segmented conga, or at least a sectional conga. The reason I ask is that I have a design idea for a conga in 3 sections, the top, belly and bottom. This way I can use solid straight cut staves but sill get the interior and exterior curve that steam bending gets.
Here are my initial thoughts.
More stable conga... Steam bent wood always has a tendency to straighten back out. Humidity changes can cause extra stress on the glue joints, especially in kiln dried woods that later get steam bent. Straight staves are happy and stable where they are. I wonder how steam bending, the compression and elongation of the wood fibers effects the tonal quality of the initial stave? I have two thoughts for attaching the 3 staved sections to each other. One is to use dowels as I do in my sectional djembes which I've never had a problem with. The other idea I've been toying with is to use splines between the sections. Not as invisible as a dowel, but could ad a cool, maybe even signature, design to the congas. Both are extremely stable and when matched with a good glue edge and the right glue its just as stable as a solid stave.
Doing this style I could add segmented "feature rings" to mimic the metal banding of traditional congas, or do a more modern type of design while still using solid hardwoods like I've done with this djembe, demonstrating both my sectional stave design and the bottom "feature ring"...

I have a lot of experience with djembes and ashiko drums, but none with the design and shape of the congas.
Some other questions I have about the conga is the shape of the bearing edge. What is preferred? I Know there is big debate over the bearing edge on djembes and what is "best" it really comes down to personal preference, but with a conga, unlike a djembe, so much of the sound resonates from the shell, and I'm guess a lot of that has to do with how the skin touches the bearing edge. Would love some input, or even some photos of bearing edge profile on congas you think sound great.
My next mater is wood. I love Black Walnut. It's got a beautiful mellow,richer, tone, where I find Ash and Oak to have more of a brighter and harsher tone. Yet I see congas sought after being in Oak and Ash, but the sound sought after being a more mellow with less attack. I'm wondering why people aren't building congas out of walnut?? Wood density plays a major roll in the projection and texture of sound for a djembe, I'd assume it's even more so with a conga. I guess my goal with a conga build is a fat mellow sound and to get a long, pure sustain with even tone while minimize any overtones. As with a djembe, it's the tones that make the drum. A good slap is more about technique and the skin/tension. The tone is all about the resonance and correlation of the skin/shell/tension.
One last thing. I'm hoping to get a quick rundown / overview of how the shape effects sound. It seems that a bigger head = lower pitch. A smaller sound hole = lower pitch and more inside volume = lower pitch. Anyone noticed a difference in sound whether the belly is higher up or lower down? I've seen both but wonder what the difference in sound would be. Maybe a little longer sustain with a lower belly? Seems like most higher end congas are similar in size, so I think for my first run I'll just mimic the dimensions of the LP Galaxy...
If I was to build one conga to get an overview of the sound, should it be the middle 11.75" conga? Thanks for bearing with me!