RHYTHMS:
1.Bolero 5 variations
2.Caballo with variations
3.Danzon
4.Yambu variations on conga drum/cajon
5.Guaguanco-6 variations
6.Rumba with variations/columbia/abierto 2 drums/one drum/NY street rumba
7.Abakua split hand style and one drum patterns
8.Plena split hand on congas
9.Bomba tradicional/Sica/Yuba/variations on 2 congas
10.Bambiche/Bambichao
11.Merengues with variations
12.Mozambique-New/Old skool
13.Cumbia with variations one drum and 2 drums
14.Bembe variations
15.Conga Comparsa with variations
16.Changui
17.Calypso
18.Bossa Nova with variations
19.Afro-Samba-and Samba on 2 congas
20.Songo with variatons-Basico/Changuito's
21.Pilon with variation
22.Iyesa with variations
23.6/8 basic with variations 1 2 and 3 drums
24.Tumbao in 7/4
25.Guarapachangeo with variations and concepts(2 3 4 5 congas)
26.Ritmo Pa Ca
27.Dengue
28.Jala Jala
29.Mongos tumbao's
30.Mongos merengue
31.Mongos Afro Blue with variations
32.Tumbaos-1-3 drum variations
33.Orisa wth variations
34. La Clave-2/3 3/2 Son Clave- 3/2 2/3 Rumba Clave
35.Chaonda
36.6/8 bell patterns on Conga drum-short bell and long bell
37.Counting and tapping
38.Reading for percussion
39.Music and Rhythm theory
40.CongaRobics(tm) with
Neuro Linguistic Programming(Neuro-Linguistic Programming™ was specifically created in order to allow us to do magic by creating new ways of understanding how verbal and non-verbal communication affect the human brain. As such it presents us all with the opportunity to not only communicate better with others, but also learn how to gain more control over what we considered to be automatic functions of our own neurology.)
41."Play along" with the music/various styles
42.Technique/breathing and relaxing
43."Styles" pop/soul/jazz on conga drums
44.Sound Development
45.Ear training
46.Palo(split hand 2 congas)- newly added..
47.Timba patterns on 3 conga-newly added
48.Bongos/timbales
49.minor perc./cowbells/shekere/guagua parts
50.Rudimentary approach on congas- congadiddles, single stroke rolls, doubles/2 ways on the conga drum, flams, triplets
51.Rhythms in 5 7 and 9
Read more:
http://www.myspace.com/jcjohnnyconga/blog#ixzz14oendszM