Omelenko1 wrote:Here is a photo of Yeyito with a Vergara quinto. Late 50's Havana.
Dario
Isaac wrote:I seem to be hearing an increasing demand for a 9" Hembra, but once people
get them, it's harder to control the larger sound, so I'd be interested
to hear about anyone's experience with the 9" Hembra. Caly at JCR believes
a thicker skin would give you the same desired sound. I personally love the
9" hembra and am wondering if we should make more of them available in the
future. ..Perhaps the shell ought to be lighter to compensate for the extra weight.
With solid shell tropical wood, the slightly larger size means starting with
a bigger block of wood for lathing. Any feedback would be greatly appreciated.
ps. Thanks Geordie for your good observations. Perhaps you'd like to post them
here on this thread.
ISAAC
Omelenko1 wrote:Faustino, you said "Yeyito used a 10 lug Pan Con Queso in Cachao's descarga". Yeyito was the first bongocero to use a 9" hembra, also the creator of the 10 lug bongo'. Carlos Landaeta, Pan Con Queso, was Venezuelan, he learned his craft from Gonzalo Vergara from Cuba. Yeyito played a 9" hembra, 10 lug Vergara. What makes you say it was a Pan Con Queso? Pan Con Queso instruments were not found in Cuba, Yeyito went to jail, for political reasons, in the mid 60's and died in prison. I find it very hard he used a Pan Con Queso bongo' in Cachao's descarga, which was recorded in late 1957. I think Pan Con Queso started making instruments in the mid to late 60's.
Saludos,
Dario
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