yambu321 wrote:BONGOSNOTBOMBS,
DAMMMM BRO, WUZ UP WITH THAT ATTITUDE? (LOL)![]()
YOU CRACK ME UP.![]()
CHARLIE.
pcastag wrote:If you want it go for it. Leedy you will have to agree that the pure tone of an SOS is much better than that of a gio, a vintage cuban drum in good shape has no other drum that will sound like it. Ultimately the players technique , musicality and spirit is what makes music, that's why gio can sound good on anything, and why youruba andabo can make music with boxes and spoons. As far as buying nice drums if it inspires you to play and gives you goals to reach for, go for it! I have a set of beater mexican oak drums ( pretty rare, only seen one other pair like them) that I keep at the house and take to school for my latin percussion class I teach, I have a set of acuna special edition that I got for a steal, 500 brand new, they sound great and go to my gigs, then I have a set of old cuban drums matt is fixing for me that I will use for guiros, I also used my 70 dollar gon bop for guiros, but did orisha notice the difference? no because they hear the soul of the player speaking. money comes and money goes, times are tough right now whaich is why some really nice drums aren't moving , or are going cheap, but I've bought plenty of drums and sold them and made money on them. My sos cost me 665 dollars new for the pair, I sold them a few years later for 1500. That 1500 hundred bought me some gon bop oaks which I sold and lost three hundred on, some matts which I came out about even on, and now will pay for my cuban drums , so a set of vintage sonocs cost me 665. Well worth it in my estimation. you said it before, money comes and goes, so why now make a big deal about money? If you can spend it spend it, if you buy nice expensive drums good for you, and yes show them here, I like to look at them. If you can smoke quinto on a cajon, then go for it, i like to hear. To each his own. IF you got em , somke em.
PC
pcastag wrote: If you can smoke quinto on a cajon, then go for it, i like to hear.
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