by akdom » Tue Aug 17, 2004 3:58 am
Emmett,
Here are a few comments:
#1 A few years ago I bought a used Matador tumba. Being a newbie in every since of the word I didn’t know exactly what to look for. When I got the drum home I noticed that the top of the drum wasn’t a perfect circle, it was more like the shape of an oval. I have no complaints with the sound of the drum, but I’m wondering if there is anything I can do about this now?
If the top of the drum is oval, it might have been stored for a while with a skin badly tuned. If you strech your skin un evenly, this i what happens, the top changes from round to oval. Also, you need to losen your skins after playing to avoid oval head and to keep your skins in good condition. So if they were tuned in a store for a long time taht could be the reason why.
#2 Also, more recently (maybe two years ago) I bought new a matador conga. The conga sounds good, but I’m wondering would I get a more balanced sound if the heads were the same age?
If you want to balance the sound, change the skins of tha whole set. Try first to tune the set properly (1 to 3 or 1 to 5, listen to a guaganco, this helps)
#3 The bodies of both my tumba and conga are wood. If and when I change the heads, if I were to put a synthetic head on a natural body would this produce a poorer sound? Also, any suggestions on heads both natural and synthetic would be greatly appreciated.
The skin has a lot to do with the quality of your drums. Synthetic skins are great for concerts (they stay tuned longer during play) and in humid weather (they don't "move" if there is heat or humidity changes. Purists tend to say that synthetic skins don't have as good of a sound as natural.... Then why are most of the pros playing with them?
I still personally prefer natural skins even if I almost bought synthetics many times. Find brand natural skins to be sure of the quality, or if you can, go pck a skin at a slaughter house. I did that and I ended up having great skins and great sound.
I hope this was helpfull.
See ya