
Here's my set as I played it last night at our Friday night gig. I am blown away by the utility of a five-drum setup! Having all those options really opens up the musical possibilities. I honestly found myself on three or four most of the time...occasionally two or even one, but all five saw plenty of action.
I was surprized at how seamlessly the new notes became usable in the context of our genre of music. I don't pretend to know much about traditional patterns on this many drums, but they do seem to just roll out and onto the extra heads very naturally, and with cool musical impact. I set them up with 11 inch quinto centered, 11 3/4 conga left forward, 12 1/2 tumba right forward, 12 inch tumba right in line with quinto, 10 inch requinto left of quinto...all different open tone pitches using lowest pitch for biggest drum, then up from there in fourths. I put the most resonant drums in front to help the bass tone carry off the stage better...don't know if that was necessary, but the patterns it made possible were awesome (maybe I got lucky there)! Wow! What a cool way to play.
I really respect you guys who have done it for years, and look forward to learning how to do it better. Any videos you can suggest on multiple conga playing are greatly appreciated...I use a "less is more " approach to my percussion, and this is no different for me musically, except for all the new tonal and fill pattern possibilities from the extra instruments.
Because the band has suddenly and unanimously asked the sound guy to bring me up in the mix (surprize to me...I thought I was plenty loud), any suggestions are welcome.

God bless!
-Ron
Edited By bongoron on 1145114898
I was surprized at how seamlessly the new notes became usable in the context of our genre of music. I don't pretend to know much about traditional patterns on this many drums, but they do seem to just roll out and onto the extra heads very naturally, and with cool musical impact. I set them up with 11 inch quinto centered, 11 3/4 conga left forward, 12 1/2 tumba right forward, 12 inch tumba right in line with quinto, 10 inch requinto left of quinto...all different open tone pitches using lowest pitch for biggest drum, then up from there in fourths. I put the most resonant drums in front to help the bass tone carry off the stage better...don't know if that was necessary, but the patterns it made possible were awesome (maybe I got lucky there)! Wow! What a cool way to play.
I really respect you guys who have done it for years, and look forward to learning how to do it better. Any videos you can suggest on multiple conga playing are greatly appreciated...I use a "less is more " approach to my percussion, and this is no different for me musically, except for all the new tonal and fill pattern possibilities from the extra instruments.
Because the band has suddenly and unanimously asked the sound guy to bring me up in the mix (surprize to me...I thought I was plenty loud), any suggestions are welcome.

God bless!
-Ron
Edited By bongoron on 1145114898