by Chupacabra » Wed Jun 25, 2008 12:47 am
I think one of the best known players/practitioners of the talking drums is King Sunny Adé from Nigeria and the style of music known as Juju. There are so many styles just in West Africa alone, without even getting into the ones used in Korea and some other parts of Asia.
One reason that I suspect that these types of drums and the type of sound they produce were never brought out of Africa during the years of forced migration could be the fact that they were once a major form of communication among distant people. It was the responsibility of a skilled practitioner to mimic the spoken language ("Talking" drum) in order to convey messages over long distances. Once that need was extinguished then there wasn't much use in bringing out the donnos, ntamas or atumpans any more.
From what I've read, it doesn't appear that any of the talking drums or their rhythms were used in traditional religious practises, whereas bata drumming was, and still is to this day. So maybe I just answered my original question right there. Still, I would be interested to hear if any part of this tradition survived outside of Africa. Is it possible that I may have already heard some of it in some type Afro-Cuban or Caribbean music and not even realized it?
This is still kind of related to this topic:
One of the most famous songs by the legendary Rock/Alternative musician Peter Gabriel called "Solsbury Hill" - If you listen to the background percussion as it builds up through the song, what do you hear? This has to be one of my favourite tunes of all time!
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