Thebreeze wrote:You can see it is translucent, but make no mistake, it is nice and thick, maybe 1/8" .
Thebreeze wrote: MIke, that was a lot of great info you put out. I always come away learning something, and your post was very informational. Thanks .
Bachikaze wrote:Thank you, Mike, for the photo essay. It's much appreciated. As I said in my first post, I have experience with many kinds of skin, but not water buffalo or mule.
bongosnotbombs wrote:The macho on this bongo is Kip skin, which has been referred to as calf skin
bongosnotbombs wrote:Kip skin...It is thin and smooth, I don't think it is suitable for congas, and I can't remember hearing of it used on congas, just for bongo macho and hembras. I think I have heard of kip being used on bata drums.
bongosnotbombs wrote:I have had several very good skins that are translucent and cow, one on my Gon Bops conga from Will is excellent. I also have great skins on my other congas which are not translucent at all.
Mike wrote:Thanks for the language update, Taikonoatama!bongosnotbombs wrote:Kip skin...It is thin and smooth, I don't think it is suitable for congas, and I can't remember hearing of it used on congas, just for bongo macho and hembras. I think I have heard of kip being used on bata drums.
Alright, but it can´t be the thickness alone, since I have got an East African ngoma with a cow hide that is only about 1mm thick only. It can withstand fierce stick drumming, so it must be the overall texture which makes it durable.
Here is a picture. I also own one of those. The drummer is in the background:
As to colour:
Meinl uses a lot of near to snow-white skins on the Mongo Santamaria model, for example.
They call that "True Skin". It is very smooth, but not really to my liking.
Hence the question: What does the bleaching process do to the skin?
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