by jorge » Wed Mar 02, 2011 4:12 am
Sounds like you want to do overdubbing, talking about latency, ASIO, and 4 or more tracks. Latency is hardware dependent but has nothing to do with the mic, unless it is a USB mic (which I have never tried). I have a pretty cheap analog/digital interface, an M-Audio Delta 66 with a PCI card in an old pentium PC, Win XP, and can get it down to 128 sample buffer, which at 44,100 samples per second is about 3 milliseconds. Double that for 2 way in/out, and 6 milliseconds is audible for a percussionist but not terrible. On your laptop, fIrewire or USB2 will increase your latency a bit for the inexpensive interfaces, but can give very low latencies on more expensive interfaces. Lower buffers and I get glitches even with single track recording. You can do one track at a time, listening to the recorded tracks through headphones as you play the next track. You can record stereo room sound if you have 2 tracks, but unless you have a studio with some way to isolate instruments, it may not be worth getting more than 2 simultaneous inputs.
For mics, I like the Shure SM57, it is the best mic I have heard for recording congas under $100. The SM58 is very similar. Sennheiser 604 or 904, Beyerdynamic Opus 87, Oktava MC012, and a few others are decent as well, but mostly cost more than the 57. Pro studios like the Sennheiser MD421 for congas, but those are much more money and break very easily. I prefer a separate mic stand to a mic mounted on the drum for recording, I find it hard to isolate the mounted mic so it does not pick up direct sound through the shell of the drum, which does not sound good.
If you don't want to do overdubbing, just record playing in real time, +1 on the Zoom H2. I use mine all the time to record rumbas and they come out pretty good.
By the way, we had a nice rumba in Paterson Saturday night.