by Berimbau » Fri Aug 11, 2006 2:49 pm
Hey Yoni!!!
Really nice conga work, crisp, clear, adventurously innovative. How and where did you develop your "split hand" technique? Not so many people using it these days as J.C. said. Nana Vasconcelos taught me a similar split hand style in the late '70's integrating traditional tabla and darbuka techniques with some African, Cuban, and Brazilian techniques. At first I assumed that he picked these things up during his 1971 - 1976 stay in Europe when he worked in a lot of festival settings, but apparently he had already developed this integrated style in Brasil as evidenced by the 1970 Argentine release "El Incredible Nana." It's an interesting approach and you do it rather well.
J.C. - I do remember a spate of African congueros using split hand in the late '60's - '70's, some of them such as ReeBop Kwaku Bah were quite tasty and effective. I remeber showing this split hand technique to some more traditional-minded congueros in the late '70's and they did not appreciate it too much. "That's for bata," I was told, "you shouldn't play that on the tumbadoras." Looking around at ALL of the various influences (including hip-hop and electronica, then in their infancy) acting upon contemporary congueros some 27 years later, my how things have changed!!
Saludos,
Berimbau
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