by BMac » Thu Apr 24, 2008 3:55 pm
Damn, I fixed it ... oops!
I had a one year old high quality solid stave quinto. One day I looked down at it and it was out of round. Musta crept up on me ... slow and sly. So I freaked ... called a few conga players, they said chill ... it's the sound man. Nonetheless, I was worried. But, I didn't think I could fix it ... so I just put it out of my mind.
I did, however, stop abusing the drum. From then on, to this day, I detune when not playing ... I bring every bolt to full loose. I keep the drum in a bag when not in use. A bag helps control moisture fluctuations ... I live in an area where humidity is quite variable and I don't AC my home much. I switched the heads of all the congas in my collection to very uniform samples. I got to looking at the original skin on the out of round quinto and saw it was thick on one side and thin on another side. I threw that crap away. I tune by sound ... not by tension ... not by torque ... not by counting turns. A non-uniform skin causes non-uniform forces around the drum if you tune by sound, if you can tune by sound at all. Also, playing two drums of very different construction side-by-side can tempt one to overtighten one or the other to try to match the sound. I now play matched drums ... construction wise ... material/ring-configuration/height etc. I mean, I have several matched pairs, but I play them in those matched pairs. I don't play a Toca and an LP together as a pair. I don't have enough bags to go around ... so I keep my best pair in bags (nope, not Toca, not LP ... Mopercs baby!). I rotate the heads and the hardware rings relative to the shells for all congas once every few months. I rotate by two bolt positions ... so for six-bolt drums, that's 120 degrees.
Then one day ... a year or so after I saw the drum was out of round ... it was fixed. It just became round again after I started treating it right. I was surprised and pleased. The thing is round as round now. The wood just recovered once I stopped the abuse. Go figure. Oops! I wasn't trying to fix it ... but it's round again.
I don't have any congas with almas. I'd like to see an alma loose from a drum. I'm skeptical about almas. How thick are they? How are they secured? Are almas actually strong enough to do anything? Are y'all sure they don't cause more problems than they solve for wood conga shells? I mean, let's say the drum expands and contracts slightly with temperature and humidity ... is a steel alma likely to expand and contract in any exactly corresponding fashion? ... I'm skeptical. What about with a fiberglass shell ... more stable under humidity fluctuations than wood, but what about temperature and age? I'm skeptical about bonding together any two dissimilar materials in a construction that experiences temperature and humidity fluctuations. I've heard of almas coming loose and being removed by the owner ... that news doesn't surprise me. I've never seen any real critical discussions of the pro's and con's of almas ... have I missed it? Is now the time to start it?
I'm skeptical about the bands on the outside of congas as well. Maybe they once were needed ... like on rum barrels ... but are they needed now? I know one quality conga maker that says you can take 'em or leave 'em when you buy his drums ... your purchase, your choice ... they're just for show. They do look cool though. Do they make those drum bands actually strong enough to do anything anymore?
As far as goes rounding an out-of-round drum, I would never apply any point-specific force on a drum to bring it back in round. I've heard of plywood-circle-jig ideas and read the above tactic of soaking the drum and hammering in a 2-by-4 but ... aye-yaye-yaye ... I'd never do any of that ... I'd rather the drum stay out of round than risk cracking it.
Am I the only one skeptical about almas and bands?
Cheers
BMac