onile wrote:Vaya Mis Panas!
Thanks for the great comments and well wishes, I can't wait till they arrive! Tremendo rumbon que se va ser!
As far as the wood, they're African Mahogony (when the cost was still a bit affordable)!
Chacho! I really want to hear the spirit in those drums cuando les doy por encima!
Suave!
Onile!
Omelenko1 wrote:Onile,
I know you have a great collection, but when you get them Matthew's they will become your first string and everything else will play bench. That happened to Jaisen Torres, to me and will also happen to Abakua when he gets his down under.
Felicidades,
Dario
Omelenko1 wrote:Vaya Ritmo,
Like you say I wish I was "un pulpo" and I also wish there were more gigs and love for culture here in Miami. There is a lot of talent here, Daniel Ponce lives here, our own JC lived here for many years and was force to leave because there is no appreciation for music here. Miami, being a strong hold for Latinos, Cubans in the majority, is sad that there are no venues for live salsa or Latin jazz. I only play private gigs like weddings or corporate gigs and that's maybe 10 a year if I'm lucky. Thank God I don't need music to make a living, I'm a CPA by profession.
Speaking of quality congas is like you say, one minute Matthew, the next SOS, then Junior or Ismael. They are all great congas, SOS the most Cuban, Matthew the best made when it comes to details (beauty of wood,hardware) Ismaels full of Puerto Rican heritage and herencia and Junior Tirado, the pioneer artisan in New York. I love them all. Junior holds a dear place because of our friendship and his congas are so so so so melodic.
Cuidate compay!
Dario
Omelenko1 wrote:Vaya Ritmo,Miami, being a strong hold for Latinos, Cubans in the majority, is sad that there are no venues for live salsa or Latin jazz.
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