Thomas Altmann wrote:He didn't understand and got very angry.
Thanks, goingquinto: This statement sums up best the mental condition of all those people who are hindering spiritual evolution and bringing hell to Earth eventually, no matter what religion, political attitude or ideology they follow.
However, each religion, political party, etc. has as well practitioners who represent high moral and humanistic values; people who try to be as positive and ethical as their respective system was intended to be.
I agree completely with what Abakua recommended.
Once I discussed the subject of this thread with a fellow musician, when an American woman who had overheard our conversation joined in and insisted that everybody would just do any job if it was only paid well enough. I objected, feeling that there are certain limits beyond monetary compensation; but I also remembered that I had already played two gigs that I would have rejected, if my economical situation had allowed it: There are quite a few organisations in our society that are formally legal but nevertheless unethical (in my view).
It was about 20 years ago that I was booked for a gig at the Buchmesse (book fair) in Frankfurt, some 500 km south from my town. When the band finally arrived for the soundcheck, it turned out to be a gig for the Scientology sect, an organisation that I would personally never support with my music. But we had travelled for 5 hours with 7 or 8 people who needed the money (which was fairly decent), and our bandleader, an American trombone player, swore that he had not known for whom we were supposed to play. To make the story short: We played the goddam gig.
Generally I'm trying to avoid situations like this. And I know I have already dispensed with a lot of money and prestige by turning down gigs that were not clean.
Thomas
That trombone player wouldn't have been Joe Gallardo would it?
congamyk wrote:NG I appreciate what you're saying, as for "missing out" I don't feel that I'm missing out on anything.
I have an infinite number of things to listen to and learn from from, whether it's Brazil, Cuba, Jazz, funk, Gospel, etc.
Pandeiro alone is a lifetime of study.
One cannot devote himself to every single thing, so we make choices.
As for Santeria, one cannot thoroughly study our instrument without understanding it's roots.
I've studied Santeria enough to know that it is diametrically opposed to my Christian faith, enough said.
I won't make some shallow cheap-shot like some here have about Christianity - which they probably know nothing about.
I enjoy rumba and am supportive of all congueros.
Thanks to all those that have been tolerant in this thread.
Regarding music, I could say to someone, "unless you listen to (and absorb, learn) American Black Gospel music - you are missing out."
Or what about classical music, bluegrass, or zydeco, R&B....
One cannot devote himself to every single thing, so we make choices.
Flames on one set of drums... furniture finish on another... dents and scratches on another set... fiberglass... almas... it's all good!
ABAKUA wrote:Observe, Respect & Enjoy.
The religious side is touchy, you are required to have understanding of how it all works and what it means, what its origins/intention is (reference to Bata etc), why is it being played etc.
As long as its done with respect and understanding of it without blasphemising and distortion then its fine.
jorge wrote:What happened to the posts from yesterday, June 16? They seem to have disappeared.
You agree that “congaplace.com” have the right to remove, edit, move or close any topic at any time should we see fit.
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