by jorge » Wed Nov 10, 2010 2:27 pm
Pcstag, those links both give me the same clip, although that particular clip is one of the most unbelievable demonstrations of musicianship I have ever seen. Pedrito and Mauricio both know how to get great sound out of plastic skins, but that is a compromise they make for gigging convenience. They can get even much better sound out of real cuero.
. Sure, they do start out playing bata rhythms but the rhythms are modified, mixed together in nontraditional and creative ways and transposed for 6 congas. After the first minute or so, they go into a different rhythm using the same bata "one voice" concept but more rumba-based than bata-based, with a lot of melodic improvisations. Their improvisations are unbelievably tight, always in time, and always in clave, although they often turn the clave around in very imaginative ways I for one have never heard or even thought of. Then at 4:20 they go into the longest, most amazing break I have ever heard, over 2 minutes long, all in clave if you can hear it. Try playing even simple improvisations while holding clave with your foot and playing just a simple guaguanco pattern as a base. Not as easy as it looks. In spite of the complexity of what they play here, they can both play with as much afinque y sabor as anyone else I have heard from NY, Puerto Rico or Cuba. These guys are light years ahead of the New York salsa and rumba scene.