Hi,
OK, it played for me this time. By the "second," I meant your last clip. Sorry I wasn't more clear.
On the Puntilla track they are using a conga drum adaptation of the batá rhythm
ñongo for columbia. Here is an example of one person playing the rhythm on three batá drums.:
http://www.youtube.com/watch?v=HuIqT4rp ... re=relatedThe first of the three lower tones (iyá enú) begins on bombo, the second stroke of clave.
On the excerpt from Boogalu Rumbambeo DVD, they are simply playing tones on both bombos on the lower drum and both ponches on the mid drum (with variations of course):
. . B . P . . . b . p .
B = primary bombo
b = secondary bombo
P = primary ponche
p = secondary ponche
The traditional Matanzas-style columbia "doubles" (sounds the very next pulse) the ponche (mid):
. . B . P P . . b . p p
The traditional Havana-style columbia doubles both the bombo (mid) and the ponche (low):
. . B B P P . . b b p p
There is also a more recent variation that only sounds half of the pattern. It's used during the verses:
. . . . P P . . b b . .
-David