Timbales are generally played positioning the large timbal to the left and the small one to the right (reversed for left handed).
Keep them at your waist level; you have to feel comfortable when playing.
Use wooden sticks; size are variable
(5/16" - 3/8" (raccomended) - 7/16" - 1/2").
When adding cowbell, woodblock, cymbal and a bass drum you can positon them as follows:
mouth points to the left;
mouth points to the right;
it depends on size but often it is placed facing the player;
to the right of the timbales (like a drum-set);
to the right of the timbales (like a drum-set).
The techniques to obtain the proper sound from your timbales are various:
strike the center of the head with the tip of the stick and let the drum ring clearly
strike the center of the drum by pressing the tip of the stick against the head
strike the edge and the rim of the head at the same time producing a sharp, high pitched sound.
holding the stick between the forefinger and thumb, with your palm turn downward, strike the center of the head with the palm of the hand while the stick extends over the rim. This produces a muffled sound on the head and a click effect on the rim at the same time.
The left hand is often used without stick.
In this case we have two more sounds:
LEFT OPEN TONE
strike the center of the large head with the middle finger of the left hand. Let the head ring.
LEFT MUFFLED TONE
strike the center of the drum by pressing against the head with the fingers of your left hand. This produces a muffled thud sound.
Leave the stick on the small head in a handy position to pick it up for fill-in's and breaks.
It is a Bolero and Rhumba accompaniment which is played by simply tapping the side of timbales (shell) with the tip of the stick (soft sound) or with the middle (loud sound).
By striking the bell at different point and with different part of the stick a variety of sound can be produced.
The following combinations (bell/stick) are generally the most commons:
strike with tip of the stick at the center of bell
strike with middle stick the mouth area
generally played on the neck area (high). Use mouth for accenting
generally played on the mouth.
PRACTICE ALL THIS SOUNDS AND GET OUT YOURS!
Play Timbales Now: The Basics & Beyond
Paperback: 92 pages
Publisher: Alfred Music (November 1, 2004)
Covers traditional and contemporary timbale patterns, rhythms for cowbell, cascara, cymbal, and more, tuning and maintenance, basic reading and notation, and patterns for school music ensembles. With two CDs of audio examples and play-along tracks. ...
LP258S Tito Puente Series \"Thunder Timbs\" Timbales
Product Dimensions: 36 x 12 x 24 inches ; 20 pounds
LP Tito Puente Thunder Timbs 10-Inch extra deep shells provide additional volume and bass tones. They can be used alone or with a set of Tito Puente Timbales. ...
Vic Firth World Classic® -- Alex Acuña Conquistador (red) timbale
Product Dimensions: 15.5 x 1.2 x 0.5 inches ; 3.2 ounces
The Vic Firth Alex Acuna Conquistador Hickory Timbale sticks are designed to provide optimum response on timbales and cymbals. ...
Latin Percussion Matador Timbale Stand
Shipping Weight: 12.6 pounds
LP Matador Timbale Stand Made by LP Model Number: M259 ...
Latin Rhythms for Drums and Timbales
(June 1986) Columbia Pictures Pubns.
Changuito: A Master's Approach to the Timbales
Jose Luis Quintana, Chuck Silverman
Edition (February 1998) Warner Brothers Publications.
Latin Percussion LP539-BK LP Timbale Bag Set
Product Dimensions: 26 x 17 x 3.2 inches ; 5.8 pounds
Two bags set protects and transports LP Tito Puente Timbales or Timbalitos. ...
Tito Puente's Drumming With the Mambo King
Tito Puente, Jim Payne
192 pages - Book & Cd edition
November 13, 2000 - Hudson Music
Written by the great Tito Puente with Jim Payne. Includes:
? Instruction covering Latin rhythms and patterns applicable to the timbales and the drum set
? A retrospective--through Tito's own words and in photos--of Tito's incredible 50-year career as The King of Latin Music
? A ...
The art of playing timbales
Mass Market Paperback - 96 pages
Music in Motion
More than a collection of syncopated rhythms, Afro-Cuban music is a highly developed art form based on tradition. Like learning a new language, there are different "situations" that need to be understood when playing this music, because each situation requires a different approach.
The purpose of ...
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