Ash congas

Manufacturers, brands, skins, maintenance, stands, sticks, michrophones and other accessories for congueros can be discussed into this forum ...... leave your experience or express your doubts!

Re: Ash congas

Postby congalou » Thu Oct 21, 2010 8:39 am

Requinto and Mambiza !!! :wink:
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Re: Ash congas

Postby Anonimo » Tue Oct 26, 2010 9:32 am

POST REMOVED BY THE AUTHOR
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Re: Ash congas

Postby congalou » Fri Nov 05, 2010 5:30 pm

The futur Quinto,

I think I will fiberglass it with epoxy resin and put 7 lugs : STRONG !!!

For try !!!

G.
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Re: Ash congas

Postby roberthelpus » Fri Nov 05, 2010 5:40 pm

Go man go!
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Re: Ash congas

Postby congalou » Sun Nov 14, 2010 6:03 pm

Hello Congeros,

I'm actually testing epoxy resin and fiberglass on a piece of wood before do the same thing on my quinto.

G.
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Re: Ash congas

Postby congalou » Wed Jan 19, 2011 5:37 pm

In studio with my Ash congas :

http://www.youtube.com/watch?v=rgZRhRawLYw

G.
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Re: Ash congas

Postby Jerry Bembe » Wed Jan 19, 2011 5:58 pm

Very nice work. I looked at your Youtube postings and I have a question (perhaps this has been previously adressed).

I see you posted your "System" for eliminating overtones and ringing for solid tones. What is your "System" and how do you achieve this?

I have heard many different methods from duct tape, silicone and rubber cement being used on the under side of a head. I would like to hear what your method is.

Repectfully,

Jerry
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Re: Ash congas

Postby congalou » Thu Jan 20, 2011 9:57 am

Hello Jerry, here is the trhead about it :

viewtopic.php?f=14&t=4494&start=15

Cheers.
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Re: Ash congas

Postby Jerry Bembe » Thu Jan 20, 2011 10:50 pm

Thanks Congalou,

I really dig that dampener. I have done dampening idea that might not be as effective. I wedged 3-6 dowel rods inside the belly of a conga that rang and it ras reduced by this action. This has not been effective with all of my ringers so this device looks like a great place to start. Wedging a dowel rod inside also can create unnessary stress and scrape the insides too.

The design you shared appears to be a superior design.

I have the highest respect for your innovation and efforts. You are an inspiration to us all.

Jerry
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Re: Ash congas

Postby congalou » Fri Jan 21, 2011 11:05 am

Thanks Jerry, It encourage me to continue my research !!

Has you said, wedging a dowel rod can create few stress (not huge, I think) and scrap inside. That's why I use a magnet easy to put down and take off.

About my quinto, It's very cold in France for the moment, I can't use Epoxy resin outside.... I think I will wait the good season for do this thing.

Happy new year from France !

Gaël.
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Re: Ash congas

Postby Ernesto Pediangco » Sun Jan 30, 2011 1:58 pm

he shells look great & the bearing edges look great on these pics, & the pics of the cow hide where its ready to be cut for 3 drum heads is a good point, since factory drums & custon drums rearle have 3 matching heads, Getting 3 heads of same cow hide gives 3 heads to select for the particular drums best thickness per drum fit. The drums should sound much more balanced as a set this way ! Interior fiberglass is a backward approach ! Gon Bops used to wrap an exterior coat of clear or color gel coated fiberglass fabric & resin that served liked the bands to hold the drums togeather & made them less prone to cracking & more weather proof w/o changing the interior surface or adding to much weight. I use tung oil to moisture seal the interior of the drum. There are ancient wood art in museums that had used tung oil hundreds of years ago & still have not cracked !
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Re: Ash congas

Postby Ernesto Pediangco » Sat Feb 05, 2011 5:05 pm

congalou wrote:It's for reenforced the shell, The tension is very strong at the side plate, I think that with a layer of fiber, the stress is well spread inside.

I think it's good for the long life of the shell. Of course, it could be bad for the sound, but I'm not shure, I have to try to know. And it could be interesting to paint the layer with special paint for the sound.

I will try without a layer and maybe put the layer after, it could be good to know.

Galou.

Actualy, fiberglassing the interior is not the only option to re enforce the shell at the lug plates. I have used thin ply wood that I steamed, and used as backing plates w/ wide fender washers. The ply wood shims were 5" circles. They conformed to the shells ( i used Gorilla glue ) as they dried, they molded to the shell in the area that needed support and the wide washers helped anchor the lug & distribute the stress load w/o choking the shell in any way. Instead of paint ~ I would use stain & then seal it w/ Tung oils. Tung oils seal the wood & keeps the wood from cracking due to normal expansion & contraction & if the shell gets scratched, you can rub more stain & oils in that area with out re surfacing & refinishing w/ paint. IF you have to have a solor coat paint, I suggest you use colored Gel coat like what ship builders use. How ever, paint & gel coats will crack if the drum expands or gets bumped & dinged to hard. Gon Bops used to add a few layers of fiberglass fabric w/ resins & hardeners & then gel coat the fiberglass jacket that was entirely covering the shell, This works best ! It eliminates the need for barrel bands since it locks the drun into its shape & gel coats will resist cracking. Gel coat is what fiberglass drums have as color coats, it is a paint made from fiberglass resins & hardeners, same as used on fiber glass cars & boats ! Any ship yards in your area ? :)
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Re: Ash congas

Postby Ernesto Pediangco » Sat Feb 05, 2011 5:09 pm

Jerry Bembe wrote:Very nice work. I looked at your Youtube postings and I have a question (perhaps this has been previously adressed).

I see you posted your "System" for eliminating overtones and ringing for solid tones. What is your "System" and how do you achieve this?

I have heard many different methods from duct tape, silicone and rubber cement being used on the under side of a head. I would like to hear what your method is.

Repectfully,

Jerry

I have had great success using rubber cement or adhesive foam rubber weather sealer ~ thin 1/16" to make a ring circle shape like a tone control ring used on bass drum heads or tomtoms. NEVER use duct tape ! The adheasives are horrible to clean up. Duct tape is best on Ducting !
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Re: Ash congas

Postby Jerry Bembe » Sun Feb 06, 2011 1:19 am

Ernesto,

You present many great ideas. I have used tung oil for years with great success. The duct tape I use on heads is for REMO only. Your methods sound superior to duct tape and I will give it a try.

Regarding duct tape, I have used duct tape on a Fiberskyn 3 head on a Slingerland "Conga" (the Ricky Ricado type). I completly covered the underside except for a 3" circle in the center and the tone resembles a Samba Rebolo/Surdo. The deep bass tone is excellent with a 12" head but it is close to a 20" surdo's tone.

Thanks,

Jerry
We are surrounded by rhythm everywhere we go. Listen and be in sync with the clave. Peace

http://www.youtube.com/watch?v=bmwxUIIP-EM
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Re: Ash congas

Postby congalou » Mon Feb 14, 2011 8:12 pm

Hey !!

Here is the quinto with époxy resin and fiberglass before and after sanding, and the harware in construction. Epoxy is very strong !!!
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